Trying to find a way
To tell it all, all, all now
Trying to find a way
To set it down
Trying to find a way
To tell it all, all, all now
Trying to find a way
To set it down
Spending too much time
On the wrong things
Spending too much time
Getting it wrong
Trying to find a way
To tell it all, all, all now
Trying to find a way
Casting it down
Can I be myself?
Can I be myself again?
Can I be myself?
Can I be myself again?
Can I be myself?
Can I be myself again?
Can I be myself?
Can I be myself again?
Spending too much time
On the wrong things
Spending too much time
Getting it wrong
Spending too much time
Spending too much time
Can I be myself?
Can I be myself again?
Can I be myself?
Can I be myself again?
Can I be myself?
Can I be myself again?
Can I be myself?
Can I be myself again?
Out of this nightmare and into your dreams
Out of this nightmare and into your dreams
Out of this nightmare and into your dreams
Out of this nightmare and into your dreams
You can succeed if you concentrate on your own thing
You can succeed if you concentrate on your own thing
You can succeed if you concentrate on your own thing
You can succeed if you concentrate on your own thing
Out of this nightmare
Silk Rock is a new standalone track, which, with ninth album HIGH JANUARY, takes Toronto’s Chris A. Cummings deeper into the Markerverse. Rather than record a B-side, the novel decision to record two separate versions was made. The Marker Starling version was recorded first, with visiting Canadian Cummings (aka Marker Starling, also the song’s composer) on a day trip to Wilton Way studio in London with his regular UK backing band: Euan Rodger (drums), Joe Carvell (bass) and Andy Whitehead (guitar). Joined for this occasion by fellow Canadian Ian Daniel Kehoe (guest vocals) and a 3-piece choir (Victoria Rose Hamblett, Marie Merlet and Aurora Barrett), the group recorded the song in one day, including overdubs. A long-gestating idea which had its origins in the late nineties, the Silk Rock concept had been auditioned and scrapped many times over in Cummings’ home demo lab in Toronto.
The second version of the song, by London’s Haha Sounds Collective and featuring Stereolab’s Laetitia Sadier on lead vocals, was recorded subsequently over several sessions, as it was a more elaborate affair involving 12 musicians. Also recorded at Wilton Way by Syd Kemp, the second version takes the initial concept and stretches it out, giving it breathing space and a huge mood. It pares the idea down to its essence, then builds it up vertically, stacking instruments and colours, creating an altogether different experience.
credits
released September 4, 2020
SILK ROCK (Marker Starling version)
Personnel:
Joe Carvell - bass
Chris A. Cummings - Wurlitzer, Clavinet, Philicorda organ, Moog Voyager, lead vocals
Ian Daniel Kehoe - guest vocalist
Euan Rodger - drums
Andy Whitehead - guitar
Victoria Rose Hamblett, Marie Merlet, Aurora Barrett - choir
Recorded at Wilton Way
Engineered by Syd Kemp
Mixed by Vincent Hivert
Mastered by Paul Rannaud
SILK ROCK (Haha Sounds Collective version)
Arranged by Haha Sounds Collective
Personnel:
Laetitia Sadier - lead vocals
Victoria Rose Hamblett, Cathy Lucas, Silvia Fiore, Anthony Kastelanides, Milan Monk, Arthur Sajas - choir
Joel Burton - piano
Syd Kemp - bass
Alex McKenzie - flute
Milan Monk - vibraphone
Cedric Monzali - drums
Nathan Pigott - percussion, tenor saxophone and alto saxophone 1
Arthur Sajas - guitar
Joseph Stone - alto saxophone 2
Recorded at Wilton Way
Engineered and mixed by Syd Kemp
Mastered by Jason Mitchell
Like so many others, this came like a bolt out of the blue and, even though it's well before payday, I had to have this astonishing album on vinyl to prove it exists. The feel of the tunes makes me feel like the Impressions do, Curtis Mayfield, the big spaces and instinctive horns and stuff drifting in and out. Great grooves and I can see lots of ghosts nodding along to this with big smiles on their faces. At last! Anthony Cottrell
There are versions and then there's this! A stunning fusion of a jazz classic with the timeless Golden Brown. The interplay between the two is delightful! You won't be able to resist playing this on repeat! Walking on The Moon is as charming for different reasons. This is a wonderful EP. DJ Osric
Wonderfully absurdist pop songs that manage the tricky balance of humor and hookiness—The Exquisite Corpse as ’60s pop. Bandcamp New & Notable Dec 4, 2022
The latest from Friederike Bernhardt is an absorbing work of electroacoustic composition, songs rippling like the Northern Lights. Bandcamp New & Notable Aug 28, 2022